“One of the reasons why Warren Ellis’s dystopian work is such a joy to read: the reader can see that what the author is describing isn’t just inevitable, it’s already happening.”
The future is here! 20SomethingReads reviews Gun Machine.
“Every cylinder of Gun Machine gets loaded with something for both casual readers and casehardened fans of the detective genre. The action, characters, structure, and syntax travel with the speed of photons and connect with the unsentimental impact of hollow point rounds. Until the very last page, Ellis pulls the trigger on each and every one—sometimes taking his time to aim, sometimes shooting from the hip—but always hitting his mark.”
The Brooklyn Rail reviews Warren Ellis’s Gun Machine. Thanks, Brooklyn.
- The Morton Report: One of the things that really struck me about this particular book was a strong sense of place as a living, breathing thing, a historical organism composed of both natural and man-made artifacts and creatures.
- Warren Ellis: I was after that sense of standing on the surface of deep time, and history reaching up into the present world. Of American cities, I thought that could be done most successfully with New York.
- The Morton Report: How different is working in prose from working on comics for you?
- Warren Ellis: Remember, what you see in a comic is just the visible part of the writing. Beneath that, I’m describing every panel on every page in enough detail for the artist to understand what I’m looking for. In a book, however, I’m trying to evoke the image, so that it lives in the reader’s mind—which, perhaps counter-intuitively, requires less specific detail. Broad strokes, texture and atmosphere as opposed to blueprint specificity.